curate to create
"I hate stories," said Dana. "They make me laugh and cry too much."
"You don’t hate stories, Dana," Mrs. Jewls told her. "You love stories. I wish everyone laughed and cried as much as you."
Wayside School is Falling Down by
Louis Sachar (via racketstory
But I guess ultimately what scares me about marriage is where do you find this person? You know a lot of times, most successful relationships, people meet through work, school, mutual friends.
But what’s most interesting to me is when people just meet in life, just randomly.
You know, I have a friend, he got married, I asked him like “Hey, uh, where’d you meet your wife?” He was like “I was leaving Bed, Bath & Beyond. I was looking for my car - I drive a gray Prius. I saw a different gray Prius, I thought it was mine, I walked up to it, I realized I had the wrong car, but I bumped into Carol, we started talking, that was that”. That’s unbelievable.
Think about all the random factors that had to come together to make this one moment possible - this one moment that changed these two people’s entire lives:
First off, this guy has to live in this particular town. Then he has to get a gray Prius. Then he has to need to go to Bed, Bath & Beyond. Then he has to go to that particular Bed, Bath & Beyond. Then there has to be another guy who also lives in town, also drives a gray Prius, also needs to go to Bed, Bath & Beyond, also goes to that particular Bed, Bath & Beyond at around the same time. Then they have to both park somewhat near each other, my friend has to leave before the other guy leaves, see the wrong Prius, think it’s his, walk up to it. Then the woman, Carol, needs to be near the wrong gray Prius for a million other random reasons. They bump into each other, they start talking, their entire lives are changed.
That’s the most amazing and terrifying thing about life.
It is, cause the amazing thing is that at any moment, any one of us can have that moment that totally changes our lives. You could be leaving the show tonight, bump into someone… it could change your life. You don’t know, that could happen.
The terrifying thing is… what if we’re all supposed to be at Bed Bath & Beyond right now?
Aziz Ansari, Buried Alive
I began to realize how important it was to be an enthusiast in life. If you are interested in something, no matter what it is, go at it full speed ahead. Embrace it with both arms, hug it, love it and above all become passionate about it. Lukewarm is no good. Hot is no good, either. White hot and passionate is the only thing to be.
Basically, I realized I was living in that awful stage of life between twenty-six to and thirty-seven known as stupidity. It’s when you don’t know anything, not even as much as you did when you were younger, and you don’t even have a philosophy about all the things you don’t know, the way you did when you were twenty or would again when you were thirty-eight.
It made me sad — but not really surprised — when I was touring around in 2003 to find that for some people it was a radical notion to have a happy romantic comedy about two boys. Even some older gay readers were critical of the book for not being realistic, to which I would explain: You don’t have to write a book in order to reflect reality. You can also write a book to create reality. Most teen readers, I found, understood this, because they were living their lives to create reality, not merely reflect it.
And that heritage is in jeopardy. Not only has the industrial food system confined us to a meager handful of apple varieties, but many of the new apples being released, like the SweeTango, are “club apples”—intellectual property of those who bred them. Growers must sign a contract that specifies how the trees will be grown and where they can be sold, and they must pay annual royalties on every apple. The days of farmers controlling their own apples may be numbered, and the idea of breaking that chain of knowledge bothers Bunk. “When you and I interact, our ability to be together on Earth is predicated by all the stuff that people did for thousands of years,” he says. “You and I didn’t invent language. You and I didn’t invent clothes, roads, agriculture. It’s up to us to be not just the receivers of what was given to us, but the givers of whatever’s going to come next.”
Why Your Supermarket Only Sells 5 Kinds Of Apples (x
The greater fool is actually an economic term. It’s a patsy. For the rest of us to profit, we need a greater fool— someone who will buy long and sell short. Most people spend their life trying not to be the greater fool; we toss him the hot potato, we dive for his seat when the music stops. The greater fool is someone with the perfect blend of self-delusion and ego to think that he can succeed where others have failed. This whole country was made by greater fools.
Sloan Sabbith, Episode 110 The Greater Fool
[Chris Pratt]’s kind of a writer’s dream. I’ve said this before, but it’s worth repeating: He has the best improvisation in a cast full of world-class improvisers. Amy Poehler and Aziz Ansari and Nick Offerman and Aubrey Plaza. Like, people who trained and are great in improvisation. The best improv in the show’s history was Pratt’s, and it was in “Flu Season,” when Ben is walking Leslie out the door to go to the doctor, and Andy is just taking over as Ron’s assistant. As they’re walking by, Pratt says, “Hey Leslie, I typed your symptoms into the thing up here, and it says you could have network connectivity problems.” [Laughs.] If I could write a joke that good, I would be a happy man. And it was completely improvised. He’s just so in the moment, and all of those actor-y terms. He’s so present and in the moment and fully fluent in his character that he can make up perfectly formulated jokes like that on the spot, and it’s incredible. He’s improved every episode he’s ever been in.
I think that’s extremely important, but I think it’s important to create all types of female characters, across the spectrum. I always say that what makes me sad is that women don’t even get the opportunity to be mediocre in the way that guys do. It’s like, every week these bad movies come out at the box office—let’s let women direct some of them! I’m not saying that’s going to make them great, I’m saying we need to be allowed to make good movies, bad movies, mediocre movies. We need to be able to create authentic flawed characters and totally crappy one-dimensional characters. I think we should be allowed to do it all, bad and good, just like guys. I don’t like the idea that women need to get in there and prove that we’re great at it. Because you know what? We’re not all gonna be great at it. We just need to be doing it, and get paid for doing it.
in response to “Do you think that creating complicated, flawed, authentic representations of women is what being a feminist in film is all about?
” (via drinkyourjuice
It is my duty to commit to film the finest fucking monsters ever committed to screen, and it is my duty to create the greatest fucking robots ever committed to screen.
Guillermo del Toro
And just when B and S had built a bridge, it all had to come crashing down. But dry your eyes. The Kiss on the Lips party is just around the corner. And you know who loves parties? Gossip Girl.
I think that we both have a light in our stomachs. A special light…Like E.T. And the team needs someone to light the way. My stomach light needs your stomach light. We can all phone home together.
And in that moment, I swear we were infinite.
Holden Caulfield, Looking for Alaska